As much as I've been anticipating Martin Scorsese's latest flick, it didn't take long for me to grow wary of where it was headed.

In the very first scene, when it is established that the two main characters are U.S. Marshals investigating a disappearance at a hospital for the criminally insane, ridiculously loud "suspense" music completely overwhelms the scene. It's just two guys walking into a hospital, but the music sounded like it was the end of a Hitchcock thriller. Baffling decision from a filmmaker who usually uses music to brilliant effect, and emblematic of what I didn't like about the film generally: cheap tactics to project an atmosphere of foreboding, without progressing the film at all. Drab, washed-out cinematography is another of such techniques.

Towards the end of the film, once it enters a simpler "chase" mode leading up to the mildly surprising twist, it picks up a lot of steam. I actually enjoyed the last quarter or so of the film quite a lot, especially Leonardo Di Caprio's performance, but overall Shutter Island is nowhere near Scorsese's best work.

***½

You must be logged in to post a comment. If you haven't yet done so, you can register now.